
Jason Brown
Artist, Illustrator, Cartoonist, Dark Art
Contact the Artist
I've worked in the games industry for Bullfrog/EA, illustrated books, magazines and newspapers (EMAP, Future
Publishing, IDG Media, Daily Telegraph, Oxford University Press).
Lifedrawing

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I love to draw caricatures. This woman resembled candle
wax, dripping onto the chair. I was always a little ashamed
and never let her look. |
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Dark Art
First, my favourites:
1: Not the sanest thought, agreed, but the combination of bodies,
toothy protrusions and some creature in the murky depths really
appealed. I like to just start sketching on a page, unawares of
what is going to develop. As soon as I start to think, "This
is good", "This is for a commission", or try to
take it somewhere in particular, the whole thing falls apart and
becomes stiff and amateur looking. It's like I can't draw. A lot
of my drawings involve trying to work out what it is I do when
I feel it's working. I know the theory, but it's difficult to
be consistent as it is a time not to think, when a thought itself
gets in the way. I can compare it to lucid dreaming. When you
try to direct the action the dream falls apart and you wake up.
With practice you stay in the dream longer, even direct what you
do, but you're not thinking in the ordinary sense. Like with my
drawings, a thought itself is enough to disturb whatever it is
you have entered into.
2: I liked the sketchiness of this style. Not one ink line, but
many, used like a pencil.
3: I liked most of the shapes. Also the pencil technique, where
there is some outlining with other details filled in or suggested
with midtones (especially the lower right hand "thing").
4: This is probably my favourite right now. Mouths with arms
and legs and other distorted body parts, veins and things sticking
out. Moving up, the cheery, Halloween type figures with holes
for eyes. I like the curved body at the top, with the multiple
teets and concentric rings of mouths.
5: Something about strappy lengths of flesh, with little creatures
or people peeping out.
6: The arms and legs theme again. I love the gaping maw and rolled
eyes.
Rest of the dark art:
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I hadn't sketched properly in years, so started to loosen
up again with this. Sketched onto an A3 page. |

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Testing charcoal |
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I'd like to work this idea and make an oil painting out
of it. |

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I liked the idea of eyes and a brain stretching off the
back of a face |
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Testing oil paints |
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Testing oils. Great grey muddy patch in the middle where
I got bored and frustrated. |

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Just the way A4 pages sometimes get filled up |
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Sketches

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Trying to draw girls. Practice sketches. |
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Faces sketched onto a scrap piece of paper |

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My mum. What can I say? It's a caricature. |
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Cute bear |
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Some of my favourite artists are H R Giger, Simon Bisley and Bob Harvey. Harvey is an artist I've not been able to find on the web, but he illustrated a series of books called Way of the Tiger, that I read as a kid.
I 2003 I travelled the US and among other things, nearly got married and ended up painting in a gallery on 42nd street in NY. Artists would rotate each week, painting so passersby could watch, some 40,000 people a day, a stones throw away from Times Square. Weblog.
Later I painted this mural in Toronto, where I stayed for a few months. After that I did a smaller mural in San Francisco.
Editorial illustration - mostly for Future Publishing in Bath, England.
Book illustration - commissioned by Oxford University Press.
Portraits - sepia watercolour portraits, mostly commissioned from America.
Memory Lane - some very early work on the Amiga.
Archives - instead of deleting it, I've put it here.
My pages on deviantART
and Renderosity.
Artists:
Join Renderosity for free image hosting and critiques from
other artists.
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